Posts Tagged ‘Brazilian jiu jitsu’

Ude Garami – Entangled Arm Lock

Thursday, January 13th, 2011

Ude Garami – Entangled Arm Lock is called several other names depending on which martial art you are familiar with. Judo uses the same term for the three basic positions. Here is a video of Traditional Ude Garami. In each arm position, the aim is to place torque on the shoulder or elbow joint and achieve a tap out from the submission.

In Brazilian Jiu Jitsu, ude garami is called a Kimura (named after a famous judoka who used this version to great success) if the arm is placed behind the opponent’s body when he sits up. In the traditional video, Dave shows a version of the Kimura at the very end, when he changes his body position, sitting his legs through in a manner similar to Kesa Gatame, causing Mike’s shoulder to come off the floor as the technique is being applied.

Another, somewhat unusual, version of ude garami can be seen in this video which shows Mike being held in a side triangle choke (sankaku jime) position: ude garami from jigoku jime.

During one of our classes Dave demonstrated why ude garami is less successful from full mount than from side control. Side control enables you to place far more body weight on your opponent. It also protects you from your opponent by placing most of your body away from him. If you are in full mount, uke has the ability to arch his back, negating the torque that is being applied on the shoulder, and possibly even bucking you off. Also, in full mount, it is possible for uke to manoeuvre his head between tori’s arms, rendering the ude garami attempt completely harmless.

Full mount also leaves a gap between your chests: this gap doesn’t exist in side control. Any time there is space between you and your opponent, there is the possibility of his escaping from your hold. In fact, side control enables you to drop most of your body weight on your opponent’s upper chest and shoulders. Few people can escape from holds when their shoulders are being held down, which is why kesa gatame is so effective as a groundhold.

ayjay

March 6, 2010

Side Mount Escapes – Escapes from Yoko Shiho Gatame and Kuzure Yoko Shiho Gatame

Friday, November 13th, 2009

Last Friday, Dave had the class practice escapes from Yoko Shiho and Kuzure Yoko Shiho Gatame (kuzure means variation), the side four quarter ground lock or hold.

One major beef of mine is with fighters who get pinned on their backs – deliberately or in error – and can’t get out. They will get pounded, elbowed, and basically, clobbered. In the years since the first UFC with the introduction of Brazilian Jiu Jitsu, we have had so many fighters lay on their backs and try to win from there. It was far worse the first few years when everyone followed the Gracies’ techniques to the letter, especially pulling guard. Since MMA fights tend not to have gis, pulling guard with the objective of sleeve chokes isn’t too practical. Pulling guard, being on the bottom, is not something to aim for: In BJJ rules, there are limited ways to gain points from that position, so you really want to get out of there. If you are there, through happenstance or deliberately, you want to get out from under your opponent. If nothing else, he can use gravity against you – he can lift his head and torso and just drop arms, hands, shoulders, and elbows on your head. If he is a strong ground and pound guy, and you are on the bottom, you may well be toast.

I know some of you love the guard, love crossing your ankles and holding the guy. You think you’re in control. In fact, the guy on top has the superior position and that’s where you want to be. If you’re on the bottom, in a BJJ match, get some points by sweeping your opponent and get out of there. Switch positions.

Dave Here - Note that you get points for getting OUT of guard, not for getting into guard.  Just that alone should tell you that it is not the desired position.  If one of the major objectives of your guard work is to achieve a sweep and get on top, then, logically, it is much better to just start on top in the first place!

Scenario: Your opponent has passed your guard and is in side mount: Practice the escapes from yoko shiho gatame and kuzure yoko shiho gatame. Chances are that the side control will be a kuzure (or variation), but the escape is similar for each variation. In judo, of course, we see the traditional and kuzure yoko shiho gatame as well.Click here to go to two escapes from yoko shiho gatame. Click here to go to escape from kuzure yoko shiho gatame.

Depending on how you learn, you may pick these up quickly and be proficient immediately. Others, such as I, may take a while to learn the new techniques, to incorporate them into muscle memory.

Crucial points for these escapes: For Yoko Shiho Gatame escapes, trap your opponent’s arm between your legs; move your body, not his, to lengthen and break his grip; facilitate the roll by pushing his head under your back (prevents him from posting with his forehead and also protects his head and neck). For Kuzure Yoko Shiho Gatame escapes, move onto your side and go under your opponent (this enables more of his mass to be on your center of gravity, making it easier to turn him); again, facilitate the roll and protect his head and neck by pushing his head under your back; if he has an arm behind your neck, trap his arm by pushing onto it with your own neck.

Practice these escapes with a partner, back and forth. You will get into slightly different positions each time, going from the escape to your own ground hold.

 ayjay

November 13, 2009

Judo Throws for the Non-Judo Practitioner – Pt 1

Friday, March 13th, 2009

On occasion we have people attending our class from the jiu jitsu school, or whose backgrounds are in other disciplines, specifically to work on judo throws. They may or may not have had any exposure to judo throws before. We cater to their experience and skillsets, body type, and type of tournament they are entering and teach a few judo throws to add to their arsenal. 

Right now, we have a fellow training with us to help prepare for the NAGA world championships in New Jersey at the beginning of April, 2009.  His matches will begin from standing, so his main concern is taking someone to the ground with control and to land on the ground in control. We haven’t much time to work on the throws, so initially we are working on throws he is already familiar with and then will add perhaps another few to the mix which compliment his style.

Francisco has an extensive background in karate (3rd dan), although in recent years he has been doing BJJ. Since he is strong in karate, we are not concerned with outside leg techniques; he’s been doing these for almost fifteen years.

The start position for these matches is standing and, not unlike Greco-Roman wrestling matches, the competitors tend to bend from the waist, keeping their hips/legs away from each other while keeping their heads close together.  It seems that the most common strategy is for them to simply pull guard as soon as possible.

The opponents grasp one another’s gi collar or lapel and sleeve, sometimes both sleeves at the wrist. Since they are bent forward to begin with, we are working on throws that put the opponent off-balance even further, pulling him forward or attacking at awkward or unexpected angles.

Our philosophy is to win by throwing and acquiring a dominant top position, then maintaining that position while working toward a submission via choke or lock.  Check out the book Mixed Martial Arts Unleashed for an in-depth explanation as to why we feel this is best - we don’t have room in this article!

First off is seoi nage, which Francisco already knows. We are doing a variation on ippon seoi nage, one in which his back is exposed for as short a time as possible, but still allows him to control his opponent in the forward direction. He can do this from standing or dropping to his knees. He can either drop deeply between his opponent’s legs and throw forward, or move farther outside, such that he is on his knees well to the right of the opponent and then the throw is at an angle of about 90 degrees.  He still has a tight grip on the lapel or collar and the sleeve. As soon as he drops to his knees, he angles his right shoulder to the mat: this manoeuvre makes the throw very fast and powerful and also enables the opponent to roll without drilling his head into the floor.  Since he still has control of the lapel and sleeve, he can move quickly into a hold of some kind.  We’ve also added a number of simple entries to this throw for him that involve combinations and action/reaction sequences in order to make the throw more likely to succeed.

Francisco has also used tomoe nage with good success, so we are again doing a variation of tomoe nage, but having Francisco end up on top, in the superior position. Tomoe nage is the high circle throw, in which you drop to your back while placing your foot beside your opponent’s hip or in their stomach. In the movies, you see this done with a powerful leg extension, propelling the opponent up and a long way away from the thrower.  Since we want to stay attached and wind up on top, we’ve modified this so that the leg doesn’t really kick him or even straighten out; it is used to direct him up and over. The arms are more instrumental in the direction. In Francisco’s case, we are also working on hooking the opponent’s leg either with Francisco’s hand or free leg, so that as his opponent goes over, Francisco stays attached to him, rolls with him, and lands on top.

Tawara gaeshi and sumi gaeshi can be executed the same way: as your opponent goes over your head, hook his leg with either your own leg or your arm (or hand), so that you remain attached and go over as well. You will end up on top of him and can immediately go into a groundhold.

There is also yoko tomoe nage, side high circle throw: You use your outside leg, (assuming you are holding one of your opponent’s arms, the outside leg would be the leg further away from him) planting your foot sideways onto his stomach. At the same time, you drop to your back, twisting such that you are about ninety degrees to his body. You can throw your opponent to one side of your body or the other depending on how much he is fighting the throw and/or how deeply you manage to get under him – either way allows you to end up on top.

Another throw which lends itself well to this starting technique of heads close together is a variation of o soto gari, sort of a combination o soto gari and koshi guruma - o soto gari’s leg movement and koshi guruma’s arm placement. If you’re doing a right-sided version, give your opponent a slight jolt to his right, causing him to try to straighten up, then go in at an angle while wrapping your right arm around his shoulders and your left hand tightly grasping his right sleeve. Sweep out his far leg with your right leg and go down to the ground with him.  He’s already in a groundhold when he lands.

 We have also worked on sasae tsurikomi ashi, propping drawing ankle throw: you grasp your opponent’s lapel with your right hand in order to lift his torso, while simultaneously blocking his right ankle and pulling the right sleeve horizontally to the left. As he falls, move your right arm around his shoulders and go to the ground with him. Change the grip on his sleeve as well. You will be in a groundhold (kesa gatame) right away.

Although Francisco has had experience with a few judo throws, non-judo practitioners can pick up these variations of judo throws and handily use them when needed. For videos of judo throws with gi, go to the Traditional Judo section of this website; videos of no-gi judo throws may be found in the Judo for MMA section of this site.

Click here to go to Judo Throws for the Non-Judo Practitioner - Pt 2

ayjay

March 13, 2009